Piltdown References Page

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MIDI References

The Complete MIDI 1.0 Detailed Specification: Incorporating all Recommended Practices, document version 96.1 Los Angeles, CA: The MIDI Manufacturers Association, 1996.

General MIDI Level 2. Los Angeles, CA: The MIDI Manufacturers Association, 1999.

Wikibooks Music Theory, by Authors, November 19, 2015.

MIDI for the Professional, by Paul D. Lehrman and Tim Tully. New York: Amsco, 1993.

Synthesizer Performance and Real-time Techniques, by Jeff Pressing. Madison, WI: A-R Editions, 1992.

MIDI Systems and Control (second edition), by Francis Rumsey. Oxford: Focal Press, 1995.

The Guide to MIDI Orchestration (second edition), by Paul Gilreath. Atlanta, GA: Music Works, 1997.

Advanced MIDI User's Guide (second edition), by R. A. Penfold. Tonbridge, Kent, UK: PC Publishing, 1995.

MIDI: A Comprehensive Introduction (second edition), by Joseph Rothstein. Madison, WI: A-R Editions, 1995.

The MIDI Companion, by Jeffrey Rona. Milwaukee, WI: Hal Leonard, 1994.

Beyond MIDI: The Handbook of Musical Codes, edited by Eleanor Selfridge-Field. Cambridge. MA: MIT Press, 1997.

Conceptual and Technical Influences

Temperley, Cope, Narmour, and Dannenberg are the major influences on the development of MugixX.

David Temperley , Assistant Professor of Music Theory, Eastman School of Music.
The Cognition of Basic Musical Structures Cambridge, MA: MIT Press, 2001.
Music and Probability Cambridge, MA: MIT Press, 2007.

David Cope , Professor of Music, University of California, Santa Cruz
Computers and Musical Style. Madison, WI: A-R Editions, 1991.
Experiments in Musical Intelligence Madison, WI: A-R Editions, 1995.
The Algorithmic Composer Madison, WI: A-R Editions, 2000.
Virtual Music. Cambridge, MA: MIT Press, 2001.
Computer Models of Musical Creativity. Cambridge, MA: MIT Press, 2005.
Hidden Structure: Music Analysis Using Computers. Madison, WI: A-R Editions, 2008.

Eugene Narmour , Edmund J. Kahn Distinguished Professor of Music, University of Pennsylvania
The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model. Chicago, IL: The University of Chicago Press, 1990.
The Analysis and Cognition of Melodic Complexity: The Implication-Realization Model. Chicago, IL: The University of Chicago Press, 1992.

Roger B. Dannenberg , Senior Research Computer Scientist, School of Computer Science, Carnegie Mellon University

Marc Leman, Music, Gestalt, and Computing: Studies in Cognitive and Systematic Musicology. Berlin: Springer, 1997.

Nicolas Slonimsky, Thesaurus of Scales and Melodic Patterns. New York: Schirmer Books (Macmillan). Original copyright, Charles Scribner's Sons, 1947, renewed 1974.

Anthology for Musical Analysis, Sixth Edition, Postmodern Update, by Charles Burkhart with William Rothstein. Belmont, CA: Schirmer, 2004, 2008.

The Hymnal of the Protestant Episcopal Church in the United States of America. New York: The Church Pension Fund, 1940.

The Authentic Librettos of the Wagner Operas. New York: Crown Publishers, 1938.

The Complete Operas of Richard Wagner, by Charles Osborne. London: Michael O'Mara Books Ltd, 1990.

p>Composing Music: A New Approach, by William Russo with Jeffrey Ainis and David Stevenson. Chicago: The University of Chicago Press, 1988. Originally published by Prentice-Hall, 1983.

Twentieth-Century Harmony: Creative Aspects and Practice, by Vincent Persichetti. New York: W.W. Norton, 1961.

Aspects of 20th Century Music, by Richard DeLone, Vernon Kliewer, Horace Reisberg, Mary Wennerstrom, Allen Winold, and Gary E. Wittlich (coordinating editor). Englewood Cliffs, NJ: Prentice-Hall, 1975.

Experimental Music Since 1970, Jennie Gottschalk. Bloomsbury Academic, 2016.

Talking Music, William Duckworth. Da Capo Press, 1999.

Orientations, Pierre Boulez (ed., Jean-Jacques Nattiez; trans., Martin Cooper). Harvard University Press, 1986.

Alex Ross, The Rest Is Noise: Listening to the Twentieth Century (Picador, 2008)
Listen to This (Picador, 2011).

The Jerome Kern Song Book, edited by Oscar Hammerstein II. Arrangements by Dr. Albert Sirmay. New York: Simon and Schuster and T.B. Harms, 1955.

Bob Dylan: John Wesley Harding, arranged by Frank Metis. New York: Dwarf Music, 1968.

Ronald Sukenick (1932-2004), Author of Musing the Obscure, readings, an interpretation, and a guide to the collected poetry of Wallace Stevens.

Jazz Sources

Mark Levine, The Jazz Theory Book. Petaluma, CA: The Sher Music Co., 1995.

Dick Hyman, Dick Hyman's Century of Jazz Piano: Transcribed!. Milwaukee, WI: Hal Leonard Corporation, 2012.

Barrie Nettles & Alex Ulanowsky, Harmony, vols. 1-4. Boston, MA: Berklee College of Music, 1987, 1988.

The Jazz Guitarist's Handbook, by Bruce Forman. San Francisco, CA: Guitar Solo Publications, 1991.

Arranging Concepts: A Guide to Writing Arrangements for Stage Band Ensembles, by Dick Grove. Studio City, CA: First Place Music, 1972.

Jazz Composition & Orchestration, by William Russo. Chicago, IL: The University of Chicago Press, 1975.

West Coast Jazz: Modern Jazz in California, 1945-1960 (Reprint Edition), by Ted Gioia. University of California Press, 1998.

Musicians In Transition: Argentina and the Globalization of Popular Music, by Matthew B.Karush. Duke University Press, 2017.

The Hal Leonard Real Jazz Fake Book: Over 500 Songs. Milwaukee, WI: Hal Leonard, 1998.

Charlie Parker Omnibook. Lynbrook, NY: Joel Goldfeder Music Enterprises, 1978.

Dizzy Gillespie: A Jazz Master, transcriptions by Frank Paparelli. Milwaukee, WI: MCA Music Publishing, 1961/1975.

John Coltrane: His Life and Music, by Lewis Porter. Ann Arbor, MI: University of Michigan Press, 1998.

Stan Getz Solos, transcribed by Greg Fishman. Milwaukee, WI: Hal Leonard, 1993.

Solo Jazz Piano: The Linear Approach (2nd Edition), by Neil Olmsted. Boston, MA: Berklee Press, 2013.

Jazz Drumming Essentials and More, by Mat Marucci. Pacific, MO: Mel Bay, 2010.

Drum Programming: A Complete Guide to Program and Think Like a Drummer, by Ray F. Badness. Anaheim, CA: Centerstream Publications, 1991.