Cape Digital Music (Bob Shafto)
Earl Robbins Band
Shafto (Beamish) Papers
Welcome to Bobby Shafto Caravan Park
CAPT Edward D. Shafto (killed in Afghanistan, 14 October 1879)
The Complete MIDI 1.0 Detailed Specification: Incorporating all Recommended Practices, document version 96.1 Los Angeles, CA: The MIDI Manufacturers Association, 1996.
General MIDI Level 2. Los Angeles, CA: The MIDI Manufacturers Association, 1999.
Wikibooks Music Theory, by Authors, November 19, 2015.
MIDI for the Professional, by Paul D. Lehrman and Tim Tully. New York: Amsco, 1993.
Synthesizer Performance and Real-time Techniques, by Jeff Pressing. Madison, WI: A-R Editions, 1992.
MIDI Systems and Control (second edition), by Francis Rumsey. Oxford: Focal Press, 1995.
The Guide to MIDI Orchestration (second edition), by Paul Gilreath. Atlanta, GA: Music Works, 1997.
Advanced MIDI User's Guide (second edition), by R. A. Penfold. Tonbridge, Kent, UK: PC Publishing, 1995.
MIDI: A Comprehensive Introduction (second edition), by Joseph Rothstein. Madison, WI: A-R Editions, 1995.
The MIDI Companion, by Jeffrey Rona. Milwaukee, WI: Hal Leonard, 1994.
Beyond MIDI: The Handbook of Musical Codes, edited by Eleanor Selfridge-Field. Cambridge. MA: MIT Press, 1997.
Temperley, Cope, Narmour, and Dannenberg are the major influences on the development of MugixX.
Assistant Professor of Music Theory,
Eastman School of Music.
The Cognition of Basic Musical Structures Cambridge, MA: MIT Press, 2001.
Music and Probability Cambridge, MA: MIT Press, 2007.
Professor of Music,
University of California,
Computers and Musical Style. Madison, WI: A-R Editions, 1991.
Experiments in Musical Intelligence Madison, WI: A-R Editions, 1995.
The Algorithmic Composer Madison, WI: A-R Editions, 2000.
Virtual Music. Cambridge, MA: MIT Press, 2001.
Computer Models of Musical Creativity. Cambridge, MA: MIT Press, 2005.
Hidden Structure: Music Analysis Using Computers. Madison, WI: A-R Editions, 2008.
Edmund J. Kahn Distinguished Professor of Music,
University of Pennsylvania
The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model. Chicago, IL: The University of Chicago Press, 1990.
The Analysis and Cognition of Melodic Complexity: The Implication-Realization Model. Chicago, IL: The University of Chicago Press, 1992.
Roger B. Dannenberg , Senior Research Computer Scientist, School of Computer Science, Carnegie Mellon University
Marc Leman, Music, Gestalt, and Computing: Studies in Cognitive and Systematic Musicology. Berlin: Springer, 1997.
Nicolas Slonimsky, Thesaurus of Scales and Melodic Patterns. New York: Schirmer Books (Macmillan). Original copyright, Charles Scribner's Sons, 1947, renewed 1974.
Anthology for Musical Analysis, Sixth Edition, Postmodern Update, by Charles Burkhart with William Rothstein. Belmont, CA: Schirmer, 2004, 2008.
The Hymnal of the Protestant Episcopal Church in the United States of America. New York: The Church Pension Fund, 1940.
The Authentic Librettos of the Wagner Operas. New York: Crown Publishers, 1938.p>Composing Music: A New Approach, by William Russo with Jeffrey Ainis and David Stevenson. Chicago: The University of Chicago Press, 1988. Originally published by Prentice-Hall, 1983.
Twentieth-Century Harmony: Creative Aspects and Practice, by Vincent Persichetti. New York: W.W. Norton, 1961.
Aspects of 20th Century Music, by Richard DeLone, Vernon Kliewer, Horace Reisberg, Mary Wennerstrom, Allen Winold, and Gary E. Wittlich (coordinating editor). Englewood Cliffs, NJ: Prentice-Hall, 1975.
Experimental Music Since 1970, Jennie Gottschalk. Bloomsbury Academic, 2016.
Talking Music, William Duckworth. Da Capo Press, 1999.
Orientations, Pierre Boulez (ed., Jean-Jacques Nattiez; trans., Martin Cooper). Harvard University Press, 1986.
Alex Ross, The Rest Is Noise: Listening to the Twentieth Century (Picador, 2008)
Listen to This (Picador, 2011).
The Jerome Kern Song Book, edited by Oscar Hammerstein II. Arrangements by Dr. Albert Sirmay. New York: Simon and Schuster and T.B. Harms, 1955.
Bob Dylan: John Wesley Harding, arranged by Frank Metis. New York: Dwarf Music, 1968.
Ronald Sukenick (1932-2004), Author of Musing the Obscure, readings, an interpretation, and a guide to the collected poetry of Wallace Stevens.
Mark Levine, The Jazz Theory Book. Petaluma, CA: The Sher Music Co., 1995.
Dick Hyman, Dick Hyman's Century of Jazz Piano: Transcribed!. Milwaukee, WI: Hal Leonard Corporation, 2012.
Barrie Nettles & Alex Ulanowsky, Harmony, vols. 1-4. Boston, MA: Berklee College of Music, 1987, 1988.
The Jazz Guitarist's Handbook, by Bruce Forman. San Francisco, CA: Guitar Solo Publications, 1991.
Arranging Concepts: A Guide to Writing Arrangements for Stage Band Ensembles, by Dick Grove. Studio City, CA: First Place Music, 1972.
Jazz Composition & Orchestration, by William Russo. Chicago, IL: The University of Chicago Press, 1975.
West Coast Jazz: Modern Jazz in California, 1945-1960 (Reprint Edition), by Ted Gioia. University of California Press, 1998.
The Hal Leonard Real Jazz Fake Book: Over 500 Songs. Milwaukee, WI: Hal Leonard, 1998.
Charlie Parker Omnibook. Lynbrook, NY: Joel Goldfeder Music Enterprises, 1978.
Dizzy Gillespie: A Jazz Master, transcriptions by Frank Paparelli. Milwaukee, WI: MCA Music Publishing, 1961/1975.
John Coltrane: His Life and Music, by Lewis Porter. Ann Arbor, MI: University of Michigan Press, 1998.
Stan Getz Solos, transcribed by Greg Fishman. Milwaukee, WI: Hal Leonard, 1993.
Solo Jazz Piano: The Linear Approach (2nd Edition), by Neil Olmsted. Boston, MA: Berklee Press, 2013.
Jazz Drumming Essentials and More, by Mat Marucci. Pacific, MO: Mel Bay, 2010.
Drum Programming: A Complete Guide to Program and Think Like a Drummer, by Ray F. Badness. Anaheim, CA: Centerstream Publications, 1991.